A truly magnificent occasion has been confirmed for enthusiasts of video game music, as the sixth edition of the Game Music Festival 2026 has been formally announced by the Game Music Foundation. This landmark event is scheduled to take place throughout the entire month of June 2026, transforming London, UK, into the epicenter of orchestral and contemporary tributes to the artistry of gaming soundscapes. This forthcoming festival is being structured as a one-month-long extravaganza, an unprecedented scale of celebration that will be witnessed across two of the capital’s most distinguished artistic spaces: the Southbank Centre’s Royal Festival Hall and Fairfield Halls. This dedication to the profound impact and artistic merit of video game soundtracks ensures that the music itself is elevated to a level of prestige usually reserved for classical masters. Great care has been taken in the curation of the programming, ensuring that the diverse array of musical achievements within the gaming sphere is properly represented and honored.
A Month of Melodies: The Festival’s Scope and Vision
The Game Music Festival has consistently positioned itself as the premier event globally that is entirely dedicated to the appreciation of video game soundtracks and audio design. Since its inception, the festival has been hosted in the most prestigious venues across London and Wroclaw, regularly featuring world-class performers on its stages. This sixth edition is designed to uphold and advance that reputation, showcasing the profound cultural impact that video game music has achieved. The event is characterized by its immersive approach, where the musical scores are permitted to speak for themselves, unburdened by the usual distractions of screen visuals. This approach is rooted in the philosophy of the Game Music Foundation, an independent group driven by a passion for the music of video games, whose international mission is the promotion of this art form.
The Grand Opening: The Infernal Symphony
The Game Music Festival 2026 is destined to commence with a formidable opening performance, titled The Infernal Symphony. This highly anticipated concert has been scheduled for Saturday, 6th June 2026, and will take place in the magnificent setting of the Royal Festival Hall. The focus of this dark and powerful musical event will be the three decades of soundtracks that have defined the Diablo franchise, a genre-defining series of action role-playing games. Attendees are being invited to take a musical pilgrimage, wherein the iconic soundscapes of the Burning Hells and High Heavens are explored through a monumental sonic opus. The arrangement of the music from the Diablo games into this massive work has been skillfully handled by Ignacy Wojciechowski.
A Dual Tribute: Celebrating Creators and Characters
The middle portion of the Game Music Festival 2026 will be dedicated to two distinct yet equally significant events, both scheduled to take place at the Fairfield Halls. The first, titled The Colors of Harmony: Hitoshi Sakimoto 40th Anniversary Celebration, is slated for 13th June. This event is being established as a dedicated tribute to the four-decade career of the highly influential composer Hitoshi Sakimoto, whose work has spanned multiple classic titles and genres. The details regarding the exact programme and performers for this event are soon to be announced, but the mere recognition of such a distinguished figure in the realm of game music has already generated significant excitement among the community. The sheer volume and quality of work produced by Sakimoto over his career necessitate a major event of this scale to properly commemorate his contributions.
Concluding Crescendos: Underworld and Urban Rhythms
The Game Music Festival 2026 will be brought to a powerful conclusion with a unique double-header of concerts scheduled for a single day, Saturday, 27th June 2026, both of which will be hosted at the Royal Festival Hall. The afternoon will feature the symphonic concert Ballads of the Underworld, which is dedicated to the critically acclaimed soundtracks of Supergiant Games’ immensely successful titles, Hades and its eagerly awaited sequel, Hades II. This musical journey is being planned to place a special spotlight on the vocal masterpieces that have become synonymous with these games: the soulful laments, hymns, and alluring siren songs that have served as the emotional backdrop for the perilous expeditions of Zagreus and Melinoë through the Underworld.
Beyond the Stage: Educational Opportunities and Logistics
It is understood that every Game Music Festival is structured to be comprised of more than just its core concert series; it also features a comprehensive range of educational events. Throughout the month of June 2026, the GMF educational programme will be implemented, hosting various events such as masterclass workshops, detailed panel discussions, and numerous specialized educational sessions. This side of the festival is designed to be an invaluable resource, allowing participants to meet with established industry professionals and acquire essential tips and tricks directly from the field of contemporary game music production. For anyone considering a career in composing or designing sound for video games, attendance at these supplementary events is deemed highly beneficial. Further, detailed information concerning the specific schedule and participants of the educational programme will be unveiled at a later stage, meaning interested parties should continue to monitor official channels for these updates.
A new study provides evidence that older adults who frequently engage with music may have a significantly lower risk of developing dementia. The research, published in the International Journal of Geriatric Psychiatry, indicates that consistently listening to music was associated with up to a 39 percent reduced risk, while regularly playing an instrument was linked to a 35 percent reduced risk. These findings suggest that music-related activities could be an accessible way to support cognitive health in later life.
Researchers were motivated to conduct this study because of the growing global health challenge posed by aging populations and the corresponding rise in dementia cases. As life expectancy increases, so does the prevalence of age-related conditions like cognitive decline. With no current cure for dementia, identifying lifestyle factors that might help prevent or delay its onset has become a major focus of scientific inquiry.
While some previous research pointed to potential cognitive benefits from music, many of those studies were limited. They often involved small groups of participants, included people who already had cognitive problems, or were susceptible to selection bias. This new study aimed to overcome these limitations by using a large, long-term dataset of older adults who were cognitively healthy at the beginning of the research period. The team also wanted to explore how education level might influence the relationship between music engagement and cognitive outcomes.
The investigation utilized data from a large-scale Australian study called ASPirin in Reducing Events in the Elderly (ASPREE) and its sub-study. The final analysis included 10,893 community-dwelling adults who were 70 years of age or older and did not have a dementia diagnosis when they enrolled. These participants were followed for a median of 4.7 years, with some observational follow-up extending beyond that period.
About three years into the study, participants answered questions about their social activities, including how often they listened to music or played a musical instrument. Their responses ranged from “never” to “always.” Researchers then tracked the participants’ cognitive health over subsequent years through annual assessments. Dementia diagnoses were made by an expert panel based on rigorous criteria, while a condition known as cognitive impairment no dementia (CIND), a less severe form of cognitive decline, was also identified.
The findings indicate a strong association between music engagement and a lower risk of dementia. Individuals who reported “always” listening to music had a 39 percent decreased risk of developing dementia compared to those who listened never, rarely, or sometimes. This group also showed a 17 percent decreased risk of developing CIND.
Regularly playing a musical instrument was also associated with positive outcomes. Those who played an instrument “often” or “always” had a 35 percent decreased dementia risk compared to those who played rarely or never. However, playing an instrument did not show a significant association with a reduced risk of CIND.
When researchers looked at individuals who engaged in both activities, they found a combined benefit. Participants who frequently listened to music and played an instrument had a 33 percent decreased risk of dementia. This group also showed a 22 percent decreased risk of CIND.
Beyond the risk of dementia or CIND, the study also examined changes in performance on specific cognitive tests over time. Consistently listening to music was associated with better scores in global cognition, which is a measure of overall thinking abilities, as well as in memory. Playing an instrument was not linked to significant changes in scores on these cognitive tests. Neither listening to nor playing music appeared to be associated with changes in participants’ self-reported quality of life or mental wellbeing.
The research team also explored whether a person’s level of education affected these associations. The results suggest that education may play a role, particularly for music listening. The association between listening to music and a lower dementia risk was most pronounced in individuals with 16 or more years of education. In this highly educated group, always listening to music was linked to a 63 percent reduced risk.
The findings were less consistent for those with 12 to 15 years of education, where no significant protective association was observed. The researchers note this particular result was unexpected and may warrant further investigation to understand potential underlying factors.
The study has several limitations that are important to consider. Because it is an observational study, it can only identify associations between music and cognitive health; it cannot establish that music engagement directly causes a reduction in dementia risk. It is possible that individuals with healthier brains are simply more likely to engage with music, a concept known as reverse causation. The study’s participants were also generally healthier than the average older adult population, which may limit how broadly the findings can be applied.
Additionally, the data on music engagement was self-reported, which could introduce inaccuracies. The survey did not collect details on the type of music, the duration of listening or playing sessions, or whether listening to the radio involved music or talk-based content. Such details could be important for understanding the mechanisms behind the observed associations.
Future research could build on these findings by examining longer-term outcomes and exploring which specific aspects of music engagement might be most beneficial. Studies involving more diverse populations could also help determine if these associations hold true across different groups. Ultimately, randomized controlled trials would be needed to determine if actively encouraging music engagement as an intervention can directly improve cognitive function and delay the onset of dementia in older adults.
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YouTube Music is one of the most popular streaming apps out there. In the latest news, YouTube has shared that it paid over $8 billion to the global music industry between July 2024 and July 2025. The company says that it is able to achieve this milestone because of its advertising and subscription revenue.
YouTube pays record-breaking $8 billion to the music industry
YouTube reveals that the $8 billion payout marks its highest annual contribution to the music industry so far. It’s a significant jump from last year’s figures, when the company paid $6 billion, and an even bigger leap from 2021-22’s $4 billion payout. The increasing payout confirms the rapid growth of YouTube’s music business.
YouTube’s Global Head of Music, Lyor Cohen, adds that “Today’s $8 billion payout is a testament to the fact that the twin engine of ads and subscriptions is firing on all cylinders. This number is not an endpoint; it represents meaningful, sustained progress in our journey to build a long-term home for every artist, songwriter, and publisher on the global stage.”
The official announced the update first during Billboard Latin Music Week, calling it a sign of continued progress and stronger support for creators across the world.
YouTube bestows the credit upon the creators
YouTube credits its growth to a “twin-engine” system that combines the revenue from its paid subscriptions and advertisements. The platform now has more than 125 million Music and Premium subscribers, including trial users. The tech giant also credits the creators for their outstanding performances.
The whole music industry seems to be going uphill. Recently, Spotify announced it distributed $10 billion to the music industry in 2024, up from $9 billion the year before. YouTube Music is currently accessible in more than 100 countries and supports 80 languages. Google aims to make YouTube the most accessible and rewarding platform for creators across the globe.
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